Hantaï sounds brutal at times. I had the same feeling for Pierre-Laurent Aimard's The Art Of Fugue, which grew on me to become one of my favourites, although I'm not a fan of Bach performed on piano. F minor is the deepest amongst all other tonalities for me. Thank you.
On topic of countersubjects being broken up between voices: https://www.jstor.org/stable/831001
Excellent! Thank you.
Hantaï sounds brutal at times. I had the same feeling for Pierre-Laurent Aimard's The Art Of Fugue, which grew on me to become one of my favourites, although I'm not a fan of Bach performed on piano. F minor is the deepest amongst all other tonalities for me. Thank you.
Thanks for this- I agree about Aimard's excellent recording.
Thank you for this comment!