We discuss the first fugue from "The Art of Fugue" by J.S. Bach. We hear it played first on a harpsichord, then on a piano with 'voice-over analysis' then by a computer with the voices panned hard left/right.
Topics covered: How does a harpsichord work?, Must one bring out, or even hear every entrance of the subject?, What about authenticity vs. modern approaches to Bach?, Was Evan really called Slim-E?
Find a playlist of the music here: https://open.spotify.com/playlist/1Ha250UDFktGqZjpt1hk7L?si=fIqZwtTUQJmzB9SYwskeYA
And the 16 year-old Evan Shinners' fugue is found here: https://soundcloud.com/emigrationposse/14-fuga
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Concepts Covered:
J.S. Bach’s legacy in music is deeply intertwined with the art of fugue, counterpoint, and Baroque composition. His mastery of fugue writing, as seen in The Art of Fugue, showcases intricate contrapuntal techniques that continue to influence classical music theory today. By analyzing Bach’s fugues, we gain insight into the structure of Baroque fugue, his unique compositional style, and the lasting impact of his works on Western music history. From defining the fugue form to shaping the evolution of counterpoint music, Bach’s contributions remain a cornerstone of classical music and an essential study for any musician or scholar.
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