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David Shohl's avatar

The recording almost feels orchestral or at least a chamber texture with circa three different instruments.

The 15-year old piano version (which I still have) foreshadows this approach with the sostenuto pedaled opening chord “drone” and the octave transposition upward in the minuet’s second half, which creates an organ-like registration effect.

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Alexander Hettinga's avatar

Sounds amazing! Great work!

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