The recording almost feels orchestral or at least a chamber texture with circa three different instruments.
The 15-year old piano version (which I still have) foreshadows this approach with the sostenuto pedaled opening chord “drone” and the octave transposition upward in the minuet’s second half, which creates an organ-like registration effect.
The recording almost feels orchestral or at least a chamber texture with circa three different instruments.
The 15-year old piano version (which I still have) foreshadows this approach with the sostenuto pedaled opening chord “drone” and the octave transposition upward in the minuet’s second half, which creates an organ-like registration effect.
Sounds amazing! Great work!